W/ publisher's original glassine over jacket & cardboard slipcase. More about him: yusakukamekura.blogspot.com/ Tokyo 1964 Idea Magazine, issue #25, 1957 Issue devoted entirely to the Japan Advertising Artists Club winning work from 1957, and an overview of work from 1953 to 1956. “Company | TAIYO MACHINERY Co.,Ltd.” 日本語, www.taiyokikai.com/en/company/. Kamekura’s use of photography here was also a huge step in design everywhere because it was the first Olympic series branding to include real photographs instead of detailed illustrations. He was a pioneer of graphic design in Japan, and founded the Japan Design Center in 1960. When he was seventeen, he took his first assignment when he designed the Japanese edition of Antoine de Saint-Exupery’s Night Flight, and he knew that he wanted to become a graphic designer. This might have influenced him a bit when he was approached about 2 years later to work on some branding aspects for the upcoming Olympics ceremony in Tokyo. Bidding closed. Title Personal Work Client Personal Work. Also, in 1993, he was inducted into the Tokyo and New York Art Directors Club (ADC). It is no secret that Rand was a great admirer of Japanese design and would regularly remind his students that the Japanese were, in his mind, entirely unparalleled in the field. How I stumbled across a niche hobby I never knew existed: Drawing (and animating) in CSS. I wondered what I could make that had those qualities, but that you could also hang in a room. Kamekura valued fair-play, and recognized the talent in a young designers at first glance. 150 plates, 31 in color. Consign with Artsy. Quarto, publisher's forest green cloth, upper board blindstamped, spine stamped in pink, yellow endpapers, original illustrated dust jacket. 1979. More about him: yusakukamekura.blogspot.com/ Tokyo 1964 In 1993 he established Creation magazine which he served as the lead art director for until the end of his life in 1997. His designs find a synthesis between the rational, logical and functional creative systems of the west and the classical grace of traditional Japanese design. View all works. Printed dust jacket. As young designers worked on the common goal of catching up with western design and raising the level of design in the nation, JAGDA enhanced the quality of design production through Japan. During this time was when Kamekura really cemented his unique take on graphic design and his understanding of the western styles of constructivism and Bauhaus. Right out of his education, Kamekura went on to study under the German-trained, Japanese photographer, Yonosuke Natori. He worked for a joint advertising office headed by Hideshige Ota for several months this year. Yusaku Kamekura, … This issue includes a feature on boat interior design and modernist furniture. They were simple, yet powerful and clean-cut. Account & Lists Account Returns & Orders. “Kamekura, Yusaku: YUSAKU KAMEKURA: HIS WORKS. The text, especially prepared for a Western audience, invites the attention of all those interested in Japanese culture. Green cloth stamped in pink. He is probably best-known for his 1964 Tokyo Olympic Games posters as Japan was still culturally shaken from the aftermath of the WWII, and Kamekura was tasked with creating a successful poster campaign to propel his country into the post-war design elite. But the President of the Japan Graphic Designers Association, Inc. (JAGDA) Yusaku Kamekura has accomplished this … “He taught me how to see.” As the godfather of Japanese graphic art, he had inspired a lot of well-known designers such as Ikko Tanaka, Kazumasa Nagai, Akira Uno, Tadanori Yokko, Toshihiro Katayama, Tsunehisa Kimura, Seiji Shirai, and Kuniomi Uematsu. Kamekura’s forms and designs during this period continued to reflect his abstract take on design. After this project, Kamekura would continue his career focusing mostly on poster design. Email to friends Share on Facebook - opens in a new window or tab Share on Twitter - opens in a new window or tab Share on Pinterest - opens in a new window or tab Following that year, he became famous as a graphic designer and surprised the world with his famous Olympic poster in 1964 and the 1970 Osaka Expo poster. Title Personal Work Client Personal Work. Page 1 of 1. His effort to introduce these new trends to the Japanese didn’t just stop at the work that he produce. Yusaku Kamekura. He is probably best-known for his 1964 Tokyo Olympic Games posters as Japan was still culturally shaken from the aftermath of the WWII, and Kamekura was tasked with creating a successful poster campaign to propel his country into the post-war design elite. In 1978 he was also responsible for founding the Japan Graphic Designers Association (JAGDA) and served as president in an effort to bring many of Japan’s prominent designers together. Since 1989, Kamekura has been the editor, cover designer, and organizer of Creation Magazine, a series of publications limited to twenty issues which focus on international graphic design, art, and illustration work by a variety of artists. Personal Work. Biography/Work Experience (1915 - 1997) Yusaku Kamekura studied principles of constructivism at the Institute of New Architecture and Industrial Arts, Tokyo, a private institute established and run by Renshichiro Kawakita with the aim of introducing Bauhaus design theories in Japan. Consign with Artsy. Yusaku Kamekura (1915-1997) was one of Japan's most prolific graphic designers. Overview. Japan’s economy was focused very heavily on exports and people are more inclined to purchase things with good design. A subjective history of graphic design (not necessarily the canon and certainly not in chronological order) by NCSU students for GD203 Graphic Design History course, http://brainmag.sendenkaigi.com/post/126991609085/power-of-design-yusaku-kamekura-demonstrated-at, http://www.designishistory.com/1960/yusaku-kamekura/, https://collection.maas.museum/object/349928, https://medium.com/@kailindong/yusaku-kamekura-biography-8b15c3fcb0c7, Lester Beall- Posters for the Rural Electrification Administration, Who’s Who in Graphic Design- Lester Beall. Kamekura’s passion for design, as well as his love for his home country, would go on to help define an entire era for design all over the world. Find many great new & used options and get the best deals for Paul Rand: His Work from 1946 to 1958 by Yusaku Kamekura at the best online prices at eBay! Text by Yusaku Kamekura, 1962 Design 11 No. 1. He was outspoken, blunt, and straightforward, just as his work which always had a style of boldness, clarity and directness. Here he would develop poster advertisements for the camera company that would represent a sleek, modern aesthetic with his use of strong geometric forms and contrasting colors as seen in his piece ‘Nikon’ (1955). Kamekura was born into a world at war, right in the middle of WWI. Living in this post-war age, Kamekura regarded the western culture as civilization and freshness. In terms of his personal life and interests, He has said that he is a huge fan of anything regarding sports or athletics. He studied at Shin Kenchiku Kogei Gakui, which was known as the Japanese Bauhaus-oriented Institute. by Yusaku Kamekura (Editor) 5.0 out of 5 stars 3 ratings. Another one of these contributions can be seen in his co-founding of the Nippon Design Center, in the 60’s, with multiple large company sponsors. On the contrast, the trademarks in Japan only followed the fashion but were not able to become classic and everlasting. “Yusaku Kamekura.” ADC • Global Awards & Club, 1993, adcglobal.org/hall-of-fame/yusaku-kamekura/.https://collection.maas.museum/object/349928, “社団法人 日本グラフィックデザイナー協会 JAGDA.” JAGDA:About JAGDA, www.jagda.or.jp/en/about/.https://medium.com/@kailindong/yusaku-kamekura-biography-8b15c3fcb0c7, https://www.famouslogos.net/yusaku-kamekura/. 1959. Yusaku Kamekura Design Award Awarded to the year's most outstanding work and its creator. View Yusaku Kamekura’s artworks on artnet. It was surely created with his determination of pursuing the best of all. The typography takes a backseat to most of the poster, which is a common trend with most of Yusaku Kamekura’s works. Kamekura sought to bring Japanese graphic design to the international scene with his unique blend of Bauhaus-influenced design mixed with traditional Japanese themes and aesthetics. W/ publisher's original glassine over jacket & cardboard slipcase. In 1950s, he visited designers in Kensai region of Japan and brought their work to the attention of Tokyo designers. Cart Kamekura is best know for his graphic work for the Tokyo Olympic Games in 1964. Tokyo Olympics 1964 Design Guide Sheet: Download Recreated Vector Poster. See all formats and editions Hide other formats and editions. His use of color, while minimal, was bright and imaginative, especially when paired with his use of black backgrounds to bring out most of the color and the texture. When global attention focused on Japan for the 1964 Olympics, the logo and posters Yusaku Kamekura created for these events received international acclaim and established Japan as a center of creative design. Condition A-: creases and minor tears at edges; minor creases in image. He is probably best-known for his 1964 Tokyo Olympic Games posters as Japan was still culturally shaken from the aftermath of the WWII, and Kamekura was tasked with creating a successful poster campaign to propel his country into the post-war design elite. The Tokyo Olympic symbol is a powerful, concise design, while the posters capture the dynamism of athletes. Title Graphic Design Today, 1990 Client Personal Work. Yusaku Kamekura, born April 16, 1915, was a prominent designer of the post-war period. Price New from Used from Hardcover "Please retry" $99.99 — $99.99: Hardcover $99.99 3 Used from $99.99 1 Collectible from $300.00 The Amazon Book Review Book recommendations, author interviews, editors' picks, and more. Bio Japanese, 1915–1997. Tokyo: Bijutsu Shuppan-Sha, 1971. “Graphis.” Yusaku Kamekura – Portfolio – Graphis, www.graphis.com/master-portfolio-slideshow/yusaku-kamekura/design/#1.http://brainmag.sendenkaigi.com/post/126991609085/power-of-design-yusaku-kamekura-demonstrated-at, “History | Nippon Design Center.” Nippon Design Center, Inc., www.ndc.co.jp/en/about/history/.http://www.designishistory.com/1960/yusaku-kamekura/. As he displayed those boxes on the shelf, he felt “as though a fresh air of civilization and culture was suddenly filling my room. Those trademarks helped shape the corporate images and direction, and many of them were still used by the companies today. The symbol and poster designs for the 1964 Tokyo Olympics were Kamekura’s best-known work. All it amounts to, really, is a bunch of black and white company trademarks – 699 of them, to be exact – designed throughout the flourishing, consumerist post-World War II Modernist period. Yusaku Kamekura is one of Japanese's greatest first generation of designers. In 1978, Kamekura founded JAGDA(Japan Graphic Designes Association) to bring together professional designers with talent and served as first president. There are 6,128 graphic design works online. Japan had no history of modern design whatsoever, and Kamekura was frustrated with the little recognition that designers and artists received from the society. Idea Magazine, issue #25, 1957 Issue devoted entirely to the Japan Advertising Artists Club winning work from 1957, and an overview of work from 1953 to 1956. Learn about the artist and find an in-depth biography, exhibitions, original artworks, the latest news, and sold auction prices. 1960. Learn about the artist and find an in-depth biography, exhibitions, original artworks, the latest news, and sold auction prices. 132 pp. Yusaku Kamekura was born in Niigata Prefecture, Japan in 1915. 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